Revolutionary Girl Utena
From Open Encyclopedia
Revolutionary Girl Utena (少女革命ウテナ; Shōjo Kakumei Utena) is a manga by Chiho Saito and anime directed by Kunihiko Ikuhara. The manga serial began in the June 1996 issue of Ciao and the anime was first broadcast in 1997. A movie, "Adolescence of Utena" (Japanese: Adolescence Mokushiroku, literally "Adolescence Apocalypse") was released in theatres in 1999.
Image:UtenaTenjou.jpg The main character of Utena is an androgynous teenage female, Utena Tenjou, who was so impressed by a kind prince in her childhood that she decided to become a prince herself, and cross-dresses as a male. She attends Ohtori Academy, where she rooms with a student named Anthy, who in turn is in an abusive relationship with another member of the Academy. Utena fights to protect Anthy, and is pulled into a series of sword duels with the student council, all of whom fight for Anthy as the key to a coming revolution, and whom they refer to as "the Rose Bride," as the winner of each duel receives her as their prize.
The series itself is highly unusual, to the point of being outright metaphysical. Though the plot is relatively straightforward, everyone's motives are obscure (initially, at least). It may be best not to take the story on the literal level, as the latter half of the series (and movie) can be somewhat confusing due to what the director admits is a mix of metaphor, borrowed visuals from Takarazuka theater, classic shōjo, mythology, and a large amount of "stuff that just looks really cool."
The anime and manga were created simultaneously, but, despite some similarities, they progress in different directions.
Contents |
Composition
The 39-episode Revolutionary Girl Utena TV series was created by some of the same production staff that made Sailor Moon, including writer and director Kunihiko Ikuhara. However, the creator of Sailor Moon, Naoko Takeuchi, was not responsible for Utena; nor did the Utena manga author Chiho Saito have much control over the anime, though rumor has it she co-wrote the first season's scripts. Ikuhara is perhaps better known for his contributions to many episodes in Sailor Moon's third season, the most serious and arguably best of the series. In particular he is said to have developed much of the characters and relationship of Chibi-Usa and Hotaru Tomoe, many aspects having later been put into the personalities of (and situation between) pink-haired heroine Utena and purple-haired friend and bride Anthy. Many of the surreal aspects he pitched did not make it into Sailor Moon, and after his departure, may have been adapted for the Utena series.
The movie, Adolescence of Utena can be seen as the end of the story initiated by the TV series, although it goes in a very different direction. Its structure is in many ways parallel to that of the series, but the roles of the leads are subtly switched -- Utena remains the duelist, but while Anthy's liberation by Utena is key to the conclusion of the series, in the movie, it is Utena's freedom which is at issue, and Anthy who must free her. If the television series riffs upon themes from theater and mythology, it could be said that the movie riffs upon themes from the series. Many aspects of the movie may be completely incomprehensible without familiarity with the series. It is even more bizarre visually than the series, unusual enough that it earned the good natured nickname among fans of "End Of Utena," after the similarly abstract but infinitely less cheerful The End of Evangelion.
There was also a short-lived Takarazuka-style musical entitled "Shōjo Kakumei Utena, Makai Tensei Mokushiroku hen, Reijin Nirvana Raiga". At Animazement '00 Ikuhara was said to be working on it with the theatrical group Gesshoku Kageki Dan. The second disc of Shoujo Kakumei Utena OST 5, Engage Toi a Mes Contes, contains many of the songs from this musical.
The English manga is published by VIZ Media in the Animerica Extra magazine. Enoki Films holds the American license and called the series Ursula's Kiss. However the American distributor, Central Park Media, chose to use the original title and character names. The same dub was aired in Australia, although it was listed under Enoki Films' title name. [1]
Plot summary
The series is divided into three story arcs, in each of which Utena comes into conflict with a different power at Ohtori Academy (Enoki Films calls it "Otori Junior High School"). In all of them, Utena must defend her title as the owner of the "Rose Bride", with the intention to protect Anthy. The duels always occur when the rose champion is challenged by someone with the rose crest ring and no refusal is accepted. The matches occur in the dueling stage, a large, high area in the academy's outskirts where entrance is permitted only to the duelists. They fence each other with a rose placed over their left chest, and the duelist who cuts away the oponent's rose with his blade wins.
Student Council Saga
This first part of the series introduce Utena, Anthy, and most of the main characters. It shows how Utena ended with the "rose bride" in her possession, and her first duels against the Student Council's members, who for various reasons, insist to fight her in order to retrieve Anthy from her.
Black Rose Saga
After repelling the Student Council's attempts to take Anthy from her, another obstacle appears before Utena with the appearance of Souji Mikage. Disguised as a counselor, he uses his powers to put angsted people under his control and send them to fight Utena with a black "Rose crest" ring in their fingers. This part also serves to introduce Akio Ohtori into the story.
End of World Saga
After solving the Mikage situation, Utena must fight each the Student Council's members one last time. As the conflict against them escalates, the dark secrets involving the duels start to unveil, as Akio and Anthy's true intentions behind them.
Characters
Names are written in Western order, with the surname after the given name.
Main characters
Utena Tenjou
(天上ウテナ Tenjō Utena) (romanized as Tenjou in the English manga and Tenjo in the English anime)
Enoki Films' name: Ursula
In all versions of the story Utena is a tomboyish, slightly naïve character who lives to emulate the idealized prince figure from her childhood. She is forthright, honest, and friendly, and nearly all the girls in school adore her.
In the manga, she lost her parents when she was six years old. On that day she was wandering around, lost, and she fell through a hole in a fence that enclosed a river area. Utena fell in and nearly drowned but was saved by a mysterious Prince who kissed away her tears and told her that if she did not lose her noble heart, they would meet again. He left with her a rose signet ring. Later on, Utena receives picture cards that give her clues as to where her prince is. By following these clues, she finds herself at Ohtori Academy.
In the anime, the Prince rescues the young Utena after she climbs into a coffin after her parents' deaths and encourages her to save Anthy. She then goes to Ohtori in search of her Prince.
Anthy Himemiya
Image:AnthyHimemiya.jpg
(姫宮アンシー Himemiya Anshī)
Enoki Films' name: Angie
A mysterious and beautiful dark-skinned woman whose sometimes vapid look and superficial politeness seem to mask something deeper. Many people project their wants or desires onto her, and she's often the target of their eventual rage or hate. Often called "less forceful than a doormat." In the movie, she generally seems more genuinely happy and is much more sexually aggressive towards Utena.
One of her more interesting abilities is that she transforms her engaged into the attire for dueling, as well as producing the Sword of Dios from her chest. This Sword is the key to completing the End of the World. In this role, and sometimes outside of it, she is known as the Rose Bride.
Akio Ohtori
(鳳暁生 Ōtori Akio)
Enoki Films' name: Mike
Anthy's older brother, and acting chairman of the academy. Although barely present in the first season of the show, he later plays a pivotal role. His given name derives from the Japanese name for Venus, the Morning Star, which is identified with Lucifer. This is an appropriate name, for Akio is frequently compared to a fallen angel in the series, the angel having been Dios.
Akio, in the anime, uses Utena's familiarity with his "better half" to his advantage and becomes her lover. He expresses a desire to see her as his princess and to relieve her of the burden of becoming a prince. In the end, however, he uses her in the same way he uses all the other duellists.
Akio appears to dominate his sister both personally and sexually; their incestuous and power-driven relationship is key to Anthy's behavior in both the anime (where Anthy is, or pretends to be, held in thrall to her brother) and the movie (where events in the series cause the balance of power to shift dramatically). However, one could also argue that in the TV series Anthy does in fact "control" her brother to a large extent. He relies on her to control the duel victors and she is the one that holds the Sword of Dios.
Student Council members
- "If the egg's shell does not break, the chick will die without being born. We are the chick; the egg is the world. If the world's shell does not break, we will die without being born. Break the world's shell! For the sake of revolutionizing the world!"
- — Ohtori Academy's Student Council oath (paraphrased from Hermann Hesse's Demian).
Ohtori Academy's Student Council play a vital role in the series. Moved each one by his or her own personal interests, their great objective is to bring "World Revolution" and in order to obtain it, a true champion must rise from their battles over the Rose Bride's posession. Instructed by letters sent from an entity called "End of the World", each of them posesses a rose signet ring similar to the one Utena received from her prince, allowing them to participate in the duels. Some wiew Utena only as a threat to their plans, while other developed some sympathy for her. During the duels, each of them fight bringing a rose with the same color of his or her hair.
Juri Arisugawa
- (有栖川樹璃 Arisugawa Juri, also romanized as "Jury Arisugawa")
- Enoki Films' name: Julie
The captain of the academy's fencing team, Juri is one of Ohtori's most highly respected students, and even the teachers appear to be in awe of her. However, behind her aloof, intimidating manner, she is actually very vulnerable as she has been hurt in the past by her friend Shiori (over whom she obsesses continuously). While viewers are at first allowed to believe that Shiori stole Juri's boyfriend from her, it is later revaled that it was in fact Shiori who Juri cared about all along. She wears a locket with Shiori's picture inside, and becomes devastated with grief when Utena destroys it by accident while duelling.
She is the student council treasurer, at least in the manga. Juri's nickname is 'The Beautiful Leopard' and she is the captain of the fencing club, thus, her primary duelling weapon is a rapier. In the manga, there is no Shiori; Juri is in straight love with Touga instead. Touga, however, is in love with Utena, and so Juri sees Utena as her arch rival.
Miki Kaoru
- (薫幹 Kaoru Miki)
- Enoki Films' name: Mickey
The highly-skilled, polite, effeminate friend of Utena. A piano player par excellence, Miki has fond memories of playing songs with his sister Kozue in his childhood; her refusal to play with him in the present gives Miki a sense of loss. His crush on Anthy in the anime (but on Utena in the manga) develops when he finds she reminds him of his estranged sister. Although he crosses swords with Utena, he always has good intentions and is likely one of the few genuinely nice characters in the series. Also a student council member, he appears to be some sort of secretary, as he's always attached to his stopwatch, and is jotting the council meeting's minutes.
When he has to duel, he uses an épée.
Touga Kiryuu
- (桐生冬芽 Kiryū Tōga)
- Enoki Films' name: Tommy
President of the student council. Touga is an arrogant and handsome young man whose desire to be elegant and powerful drives him to cruel and unscrupulous deeds. Although he likely wishes to be more noble, his lack of affection from others doesn't allow him to have much empathy. Toward the end of the series, however, Touga's facade of chivalry is replaced with an apparently truer concern for Utena, to the extent that he very subtly attempts to substitute his head for hers on Akio's chopping block. Arguably, this is also an example of Touga's inability to see Utena as who she really is, rather than in a stereotypical feminine role. His portrayal in the manga and movie are considered more sympathetic throughout, or at least pitiable. His favorite things are women and himself.
In duels, Touga wields either a powerful longsword, or a katana.
Nanami Kiryuu
- (桐生七実 Kiryū Nanami)
- Enoki Films' name: Nana
Touga's over-the-top, snob-queen little sister, who is very fond of him; she calls him 'onii-sama' and the phrase "big brother complex" is frequently applied to her. Nanami often makes various malicious attacks on students she deems inferior (or worse, those she suspects Touga is paying attention to). These pranks, however, stem from her own selfish immaturity rather than calculated evil seen in other characters. In duels, Nanami uses a unique (in the context of the series) style of dual blade fencing.
A few episodes in the series are specifically dedicated to Nanami and usually stand-alone type situations, breaking the convention of a standard Utena episode. Each has a metaphorical theme exploring Nanami's character in a sympathetic light, but are otherwise even more nonsensical than standard episodes.
Interestingly enough, Nanami doesn't appear in the manga: she's only shown in a picture with Touga, and that's it.
In Duels She uses a Scimitar and a Dagger
Kyoichi Saionji
- (西園寺莢一 Saionji Kyōichi)
- Enoki Films' name: Kevin Simon
Vice-president of the student council and captain of the kendo team. Aside from his obsessive rivalry with Touga, some consider him a simpler (less evil) character. He is tempermental, egotistic, prone to angry rages, and often cruel, but not as conniving as other characters. After being thoroughly humiliated in a series of episodes, he was even shown to have the capacity to be nice. He is one of the least featured characters, with a very short part in the Utena movie. Most of the other students call him by his surname.
During the Black Rose Saga, Saionji was taken in by Wakaba Shinohara, and was actually nice to her while staying with her. In gratitude for her taking him in, he made her a leaf shaped hair clip, but instead had to give it to Souji Mikage in order to be placed back in school.
Saionji is also extremely possessive of Anthy and believes that they are destined to be together no matter what; however, Anthy has a different view of him (unless she is currently "engaged" to him).
Saionji is the captain of Ohtori kendo team and practices a lot, although his only rival in this martial art is Touga. His favourite blade is, thus, a katana.
Ruka Tsuchiya
Former captain of the fencing team and member of the student council. He was Juri's mentor and taught her everything she knows about fencing. In the manga, Anthy reveals that Ruka was also one of the most skilled duelists and that she served as his Rose Bride over several occasions. In both versions, Ruka had to leave the school due to illness but returns, claiming that he is in good health again.
Just like Jury's, Ruka's weapon of choice is a rapier.
Black Rose Duellists
Souji Mikage
Enoki Films' name: Sonny
The pink-haired head of the popular Mikage Seminar at Ohtori Academy. Students come to him for counseling and are turned into Black Rose Duelists after they reveal their problems and inner turmoil to him. Mikage wishes to kill Anthy and install a boy, Mamiya, as the Rose Bride. Mikage's Black Rose Duelists (except for the first, Kanae Ohtori) pull swords from the Student Council member duelists to fight Utena, but seem to have no memory of their experience after their duels.
Mikage himself fights Utena as the final Black Rose Duelist. Upon losing, Akio reveals that he has been used as a tool to push the duels to their next level. After being told "It is time to graduate; the path before you has not been prepared", Mikage disappears from the school and from everyone's memories.
Kanae Ohtori
(鳳香苗 Ōtori Kanae)
Enoki Films' name: Kate
Akio's fiancee, daughter of the school's Trustee Chairman. She is unnerved by Anthy, who refuses to call Kanae anything unformal, thus distancing herself as the future sister-in-law to Kanae. When Kanae enters the Black Rose interview, she reveals that she finds Anthy to be creepy and intolerable. Her distrust for Anthy drives Kanae's hatred during her Black Rose duel with Utena, in which the Black Rose duelists try to take the Rose Bride's life.
Kozue Kaoru
(薫梢 Kaoru Kozue)
Enoki Films' name: Chris
Miki's twin sister, who feels overshadowed by his talent and dirtied by comparison with him. Kozue resents Miki's affection for Anthy Himemiya and is prone to "acting out" to grab her brother's attention, most notably by exercising loose sexual morals.
Kozue also seems to have an extreme brother complex. She is very protective of Miki and is the reason that he does not have a girlfriend (despite the endless possibilities). She duels with a sword pulled from her brother.
Wakaba Shinohara
(篠原若葉 Shinohara Wakaba)
Enoki Films' name: Wanda
Utena's Number #1 extremely affectionate fangirl and close friend. Wakaba's cheerful personality hides an enormous inferiority complex, and she attaches herself to Utena and other people -- sometimes literally -- to feel important. During the Black Rose Saga, it is revealed that she was harboring Saionji after his expulsion form school. Saionji was surprisingly very nice to her and even made her a hair clip shaped like a leaf. However, Mikage offered to help him back into school in exchange for one thing: the hair clip. Wakaba, after seeing it on Anthy, is distraught and runs to seek counsel from Mikage, where he makes her a Black Rose duelist. She pulls her dueling sword from Kyoichi Saionji.
Shiori Takatsuki
(高槻枝織 Takatsuki Shiori)
Enoki Films' name: Sally
Juri's childhood friend. Shiori left the school after stealing the man she believed to be Juri's boyfriend, leaving Juri devastated (contrary to Shiori's initial beliefs, however, Juri is hurt because of her love for Shiori). Shiori is in many ways an innocent character, in denial of her true feelings of admiration and love for Juri. Perhaps because of this, her attitude towards Juri is often downright sadistic (as her schemes are often designed to hurt Juri for no reason other than to see her suffer) and at the same time masochistic (as Shiori hurts herself every time she hurts Juri). Upon discovering Juri's love for her, Shiori becomes a Black Rose Duelist and pulls her dueling sword from Juri.
Mitsuru Tsuwabuki
Enoki Films' name: Mitch
Nanami's most devoted lackey. He is only a fourth grader but is obsessed with serving Nanami and wishes he could be her adored "big brother". He duels Utena with a sword pulled from Nanami. As with all the Black Rose Duelists, he seems to have no memory of the experience afterwards, but he appears to be somewhat healthier afterwards, spending some of his time with children his own age instead of Nanami.
Minor characters
Chuchu
Same name for Enoki Films' naming</br>
Anthy's pet (whom she will only refer to as friend, but may be more properly described as a familiar). A small, comical, rather ugly, bowtie-wearing marmoset who tends to thaw out some dry scenes, often with the help of a large frog. However, he seems to be aware of things other characters aren't, often giving the viewers (and, occasionally, Utena) some warning as to the true nature of certain schemes. He is constantly being abused by Saionji. It is somewhat hinted at times that he may be linked to Dios - a small physical creation designed to keep Anthy company in her time of solitude.
Dios
Same name for Enoki Films' naming</br>
The enigmatic "prince" from Utena's childhood. Dios's name, which means "God" in Spanish, as well as his presentation in the anime, suggest that he is to be considered Utena's guardian angel. Dios is a central figure in the anime in spite of his limited screen time. The sword with which Utena fights most of her duels is called the Sword of Dios; the audience is led to believe that Dios's essence is somehow contained within the sword. Dios is confounded with Akio, however, complicating this interpretation. His "entering" of Utena during most duels can been seen as his only method of protecting her; his essence has been weakened greatly, and Akio is all that is left of him in the corporeal world.
Shadow Girls
(Kage Shōjo). Three girls (known as A-ko, B-ko, and C-ko) seen only in silhouette who spend about thirty seconds per episode energetically commentating on its events in symbolic allegory. Their antics provide comic relief along with meaningful insight into the show's plot. Some think Shadow Girls are Utena's homage to kabuki (and later bunraku) theater, however given Utena's use of Western rather than Eastern themes, it's more likely they are in fact influenced by the Greek chorus and Shadow play. It is later suggested that they may be real girls from the school's drama club, but even then, they retain hints of the supernatural as their faces are never seen and Wakaba seems surprised that their school has a drama club. Like much in Utena, the metaphor retains a degree of ambiguity.
The movie introduces two new Shadow Girls, E-Ko and F-Ko, and reuses C-Ko. The movie also introduced "Shadow Girl Central" (whose computers use KageOS) where dozens of Shadow Girls help monitor the final race.
Themes
A visual influence by Gnosticism can be found in both the anime and movie, with Ohtori Academy as the illusory world and Akio or (more likely) Anthy as the Demiurge. By its plays on such archetypal figures as the Prince, the Princess, or the Witch, and by the symbolist role carried out by such plot elements as coffins, thorns, or castles, Utena can be seen as the quintessence of the Postmodernist fairy tale.
It should be noted that the series addresses sexual themes quite often, including yuri (lesbian) and yaoi (gay male) elements—as well as other sexual matters such as incestuous desire, actual incest, and sexual abuse. The show does not dwell upon these themes morbidly or lewdly; the mischievous director often chooses to leave such matters to the imagination. There is somewhat more explicit sexual imagery in the motion picture, although it is not pornographic by most viewers' standards. Fans have commented that Utena contains all the romantic combinations and fetishes seen in anime, with the possible exception of H anime (often called hentai by North American anime fans). Another very important theme is about gender roles (freely chosen or socially imposed), which play a large part in the series. The omnipresence of phallic symbols, such as swords, towers, cars, and poles, and the sexual connotations of flowers contributes to these sexual themes.
Chief among the romantic relationships in Utena is that between Utena and Anthy. It is more ambiguous in the TV series than the movie—the director has a dislike of the strong shipper tendency in fandom and even complained about Sailor Moon's leads' idealized relationship. However, they are considered a couple, and at present are likely the most famous lesbian couple in anime. They are considered a good example of the lack of strong uke/seme concept in yuri fandom. While Utena (especially in the movie) is boyish, strong, and physically aggressive ("masculine" traits), she is more emotional and innocent than the wearily experienced Anthy. Fans enjoy the feeling of ambiguity that comes with the blurring of gender roles.
The movie is more blunt in its representations of themes like self-discovery, carving one's own path despite uncertainty, rejecting set paths, and, most importantly, sticking to one's childhood dreams as opposed to growing up to bitter adulthood. The theme of resistance against a society that will crush your dreams, and only declare you an "adult" when you have accepted defeat and all you have left is sad regrets, is illustrated with extreme visual imagery. Due to Anthy and Utena's more overt relationship in the film, it has been read as a "coming out" film by some fans.
Although the title of the show has been translated as 'Revolutionary Girl Utena' the Japanese title actually means 'Girl Revolution Utena'. This is important because one of the more subtle, rarely noticed themes of Utena is reinterpreting classical themes and motifs of shoujo manga. For one, Utena rejects many stereotypes connected to women, that appear often in shoujo manga and anime (such as Akio and Touga failing at being "Prince Charming", Utena refusing to become a princess, and revealing Anthy's real character as not an innocent damsel in distress but a witch who manipulates men and women alike). Two, Utena takes the typically shoujo posing and dramatic effects intended to heighten the mood or tension of important scenes, and exaggerates them, often to the point of being (deliberately) comedic, such as characters framed with spinning roses, or a dramatic scene accentuated with a baseball match in the background.
Visual motifs
Image:OhtoriAcademy.jpg Repeated motifs feature strongly and powerfully in Utena. Many scenes are reused—exactly or almost so—in several episodes. This may have been a practical consideration on the animators' part to reduce production costs, but it also lends a ritualistic sense to many of the repeated scenes—such as the Student Council's ascent, or Utena's entry to the dueling platform.
The use of color in the series alternates between serene and striking, while the world feels angular and modern, from the faces of the characters to the design of the Academy. The dominant motif of the entire series is the rose, which fills the decor and landscape of the Academy as well as the ritual accoutrements of the Duelists. Highly stylized, they are reminiscent of Charles Rennie Mackintosh's. Another curious one is elevators, which seem to be used as places of transition or transformation—the Council's elevator, Akio's, the Black Rose group's where the confessions take place, and the one installed in the dueling platform in the later episodes. By the end of the series, cars—particularly Akio's—become an overwhelming motif representing loss of innocence and control.
Inspirations
Riyoko Ikeda's The Rose of Versailles and Oniisama e are established sources of inspiration for Utena, visually for the first and thematically for the second. Osamu Tezuka's Belladonna of Sadness and Ribon no Kishi (the story of a young princess cross-dressing as a knight) may be other strong ones.
Another major inspiration, evident in the use of Gnostic themes, is Hermann Hesse's Demian. The Student Council's oath is paraphrased from the book, as well.
During the duel preparation sequences, Utena's outfit changes slightly in what is perhaps a friendly parody of the magical girl genre. Likewise elevator scenes have a transformation aspect to them.
Ikuhara cites prolific playwright, poet, and director Terayama Shuji as a major influence. Terayama was a long time collaborator with J.A. Seazer, who wrote the music for his plays. Ikuhara said that working with Seazer was the greatest part of his Utena experience.
Music
The series' musical score -- with lyrics largely written by Ikuhara himself, and scored by J.A. Seazer -- is considered exceptional by many fans and is among its most memorable features. While each episode opens with the energetic J-pop song "Rinbu Revolution" (Round Dance Revolution), Utena's signature song is undoubtedly "Zettai Unmei Mokushiroku" (Absolute Destiny Apocalypse), which plays each time Utena makes her arduous way to the dueling arena. This song, along with those played during the duels themselves, are composed in a style which may best be described as choral rock; they are quite intense and feature richly-textured polyphonic melodies. While the lyrics of the choral rock pieces often appear to be little more than themed gibberish, a careful examination often reveals hidden meaning pertinent to the theme of the episode and of the series as a whole.
Other notable songs from the series include "Truth," which concludes first- and second-season episodes, "Virtual Star Hasseigaku," the ending song in later episodes (also famous because of the strong lesbian imagery in the Utena/Anthy scenes that show as this song plays), and "The Sunlit Garden," a recurring piano piece whose ubiquity within the series makes it a symbol in its own right.
The pieces from Adolescence Utena are of similar quality and do not disappoint fans addicted to Absolute Destiny Apocalypse.
See also
External links
- Central Park Media's Utena website
- Central Park Media's Utena the movie website
- Enoki Films Ursula's Kiss website
- {{{2|{{{title|Revolutionary Girl Utena}}}}}} at The Internet Movie Database
- {{{2|{{{title|Revolutionary Girl Utena}}}}}} at The Internet Movie Database
- Empty movement: an Utena fansite with a massive gallery
- Utena Anime Image Collection : AnimeGalleries.Netde:Shōjo Kakumei Utena
es:Shoujo Kakumei Utena fr:Shoujo kakumei Utena ko:소녀혁명 우테나 ja:少女革命ウテナ zh:少女革命
